Peter Pan Live! Peter Pan the musical has survived all sorts of . Peter Pan has traditionally been played by a woman. It doesn't matter why since audiences apparently have accepted it. But if you're going to update the show, don't use a female. It doesn't work any more.
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And the rest of the young cast doesn't need to be too old any more either. There are plenty of wildly talented kids and teens who could have pulled this off. Then there is the music. The original score was a mish- mash of contributions by a variety of people (not an uncommon practice in those days), so adding songs to this version could have worked. It doesn't primarily because the added music, while coming from the same era, doesn't fit the original music's style.
In the same way, the updated/added dialogue sounds out of place with the more traditional dialogue. Interesting casting/directing decisions: Young Allison Williams was acceptable as Peter, given the women- playing- boys tradition. After all, the beloved Mary Martin was already over 4. Christopher Walken as Hook for some reason was playing the role as a cross between Ru. Paul and Fu Manchu - and a tired one at that.
Since he began his career as a song- and- dance man on Broadway, this was strange choice. The very obviously . The pirates also had some very un- pirate- like dancing.
Taylor Louderman sings beautifully, and she almost gets away with being Wendy, except that she is - ahem - rather well- developed. This makes her attraction to the obviously female Peter disconcerting.
A younger Wendy can pull this off; it's just kind of skanky here. The use of a real dog as Nana robbed the show of Nana's lovely humorous and bittersweet moments. The narration was okay but seemed needlessly intrusive.
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The settings were very cartoonish. Again, this would have worked with a 5. In short, the problems with Peter Pan Live! Are you doing this as originally conceived, or are you doing it more modern? The producers never made up their minds, and it looks like it.
Peter Pan - Wikipedia. Peter Pan is a fictional character created by Scottish novelist and playwright J. A free spirited and mischievous young boy who can fly and never grows up, Peter Pan spends his never- ending childhood having adventures on the mythical island of Neverland as the leader of the Lost Boys, interacting with fairies, pirates, mermaids, Native Americans, and occasionally ordinary children from the world outside Neverland. Peter Pan is a cultural icon. In addition to two distinct works by Barrie, the character has been featured in a variety of media and merchandise, both adapting and expanding on Barrie's works.
These include a 1. TV series and many other works. J. Barrie first used Peter Pan as a character in a section of The Little White Bird (1. Peter Pan in Kensington Gardens. Following the success of the 1. Barrie's publishers, Hodder and Stoughton, extracted chapters 1.
The Little White Bird and republished them in 1. Peter Pan in Kensington Gardens, with the addition of illustrations by Arthur Rackham.
Barrie later adapted and expanded the play's story line as a novel, published in 1. Peter and Wendy. Physical appearance. In the play, Peter's outfit is made of autumn leaves and cobwebs. Barrie mentions in Peter and Wendy that Peter Pan still had all his . This costume is exhibited in Barrie's Birthplace.
Early editions of adaptations of the story also depict a red costume. He has pointed elf- like ears, brown eyes and his hair is red. In Hook (1. 99. 1), the character is played as an adult by Robin Williams, with blue eyes and dark brown hair; in flashbacks to him in his youth, his hair is light brown.
In this film his ears appear pointed only when he is Peter Pan, not as Peter Banning. His Pan attire resembles the Disney outfit (minus the cap). In the live- action 2. Peter Pan film, he is portrayed by Jeremy Sumpter, who has blond hair and blue eyes. His outfit is made of leaves and vines.
In the novel Peter Pan in Scarlet (2. Geraldine Mc. Caughrean describes him as having blue eyes and light hair (or at least any colour lighter than black). In this novel, Never Land has moved on to autumn, so Peter wears a tunic of jay feathers and maple leaves. In the Starcatcher stories written by Dave Barry and Ridley Pearson, Peter is described with carrot- orange hair and bright blue eyes. In the 2. 01. 1 TV miniseries Neverland, released by Sky Movies in the UK and Sy. Fy network in the US, Peter (played by Charlie Rowe) is portrayed with dark brown hair and eyes.
He plays a flute instead of pan pipes. J. M. Barrie created his character based on his older brother, David, who died in an ice- skating accident the day before his 1. His mother and brother thought of him as forever a boy.
In other ways, the character appears to be older, about 1. Personality. He claims greatness, even when such claims are questionable (such as congratulating himself when Wendy re- attaches his shadow). In the play and book, Peter symbolises the selfishness of childhood, and is portrayed as being forgetful and self- centred. Peter has a nonchalant, devil- may- care attitude, and is fearlessly cocky when it comes to putting himself in danger. Barrie writes that when Peter thought he was going to die on Marooners' Rock, he felt scared, yet he felt only one shudder.
With this blithe attitude, he says, . In the play, the unseen and unnamed narrator ponders what might have been if Peter had stayed with Wendy, so that his cry might have become, . In Peter and Wendy, it is explained that Peter must forget his own adventures and what he learns about the world in order to stay childlike. The prequels by Barry and Pearson attribute Peter's everlasting youth to his exposure to starstuff, a magical substance which has fallen to earth. Peter's ability to fly is explained, but inconsistently. In The Little White Bird he is able to fly because he is said to be part bird, like all babies. In the play and novel, he teaches the Darling children to fly using a combination of .
In Barrie's Dedication to the play Peter Pan, The Boy Who Wouldn't Grow up. Barrie. Peter has an effect on the whole of Neverland and its inhabitants when he is there. Barrie states that although Neverland appears different to every child, the island . In the chapter . He is a skilled swordsman, rivalling even Captain Hook, whose hand he cut off in a duel. He has remarkably keen vision and hearing.
He is skilled in mimicry, copying the voice of Hook, and the tick- tock of the Crocodile. In both Peter Pan and Wendy and Peter Pan in Scarlet, Peter's ability to imagine things into existence is noted. This ability is featured more strongly in Peter Pan in Scarlet.
He also creates imaginary windows and doors as a kind of physical metaphor for ignoring or shunning his companions. He is said to be able to feel danger when it is near. In Peter and Wendy, Barrie states that the Peter Pan legend Mrs Darling heard as a child was that when children died, he accompanied them part of the way to their destination so they would not be frightened. This is a role similar to the Greek god Hermes as a psychopomp. In the original play, Peter states that no one must ever touch him (though he does not know why). The stage directions specify that no one does so throughout the play. Wendy approaches Peter to give him a .
This is referenced in Barrie's works (particularly Peter Pan in Kensington Gardens) where Peter Pan plays pipes to the fairies and rides a goat. The god Pan represents Nature or Man's natural state in contrast to Civilisation and the effects of upbringing on human behaviour. Peter Pan is a free spirit, being too young to be burdened with the effects of education or to have an adult appreciation of moral responsibility. As a 'betwixt- and- between', who can fly and speak the language of fairies and birds, Peter is part animal and part human. According to psychologist Rosalind Ridley, by comparing Peter's behaviour to adults and to other animals, Barrie raises many post- Darwinian questions about the origins of human nature and behaviour.
As 'the boy who wouldn't grow up' Peter exhibits many aspects of the stages of cognitive development seen in children and can be regarded as Barrie's memory of himself as a child, being both charmingly childlike and childishly solipsistic. A younger sibling is referred to in the chapter . Finding the window closed and seeing a new baby in the house when he returned some time later, he believed his parents no longer wanted him and never came back. In Hook, Peter remembers his parents, specifically his mother, who wanted him to grow up and go to the best schools in London to become a judge like his father and have a family of his own.
After Peter flew away to Kensington Gardens, he returned to find his parents had forgotten about him and had another child. In Peter and the Starcatchers he is an orphan. In Peter and the Secret of Rundoon, his friends Molly and George discover who his parents are. Jack and Maggie. He met and fell in love with Wendy's granddaughter, Moira, which causes him to forsake his immortality and marry her.
They have two children in the movie, Jack and Maggie. However, he is estranged from both due to his constant absences and broken promises, which irritates Moira. His preteen son, Jack, is often frustrated with Peter's prolonged absences and turns to Captain Hook for a father figure. His young daughter Maggie retains faith in Peter, which helps him and the Lost Boys rescue her and Jack from Hook. Peter retains much of his fun self after his final visit to Neverland, which strengthens his relationship with Jack, Maggie and Moira. Friends. Peter proposes marriage to Maimie. While Maimie wants to stay in the Gardens with Peter, she comes to realise that her mother is so worried that she must return to her.
Maimie promises to always remember Peter and goes back to her mother. When Maimie grows up, she continues to think of Peter, dedicating presents and letters to him.