Shu Qi - Wikipedia. This article is about the actress.
For the filmmaker, see Shu Kei. For for the Guzhu royal prince during the Shang and Zhou dynasties, see Boyi and Shuqi. Lin Li- hui (Chinese: . She has also been credited as Hsu Chi and Shu Kei (Cantonese pronunciation of .
Large collection of all sorts of transformation (TF) videoclips originating from movies, cartoons and TV shows.
She is among the highest paid actresses in China. She eventually came under the management of Hong Kong film producer Manfred Wong, who signed her to several Hong Kong Category III films such as Sex & Zen II (1. She received the Best Supporting Actress award for her performance in Viva Erotica at the 1. Hong Kong Film Awards in 1. This marked her first foray into the American market. Later, Shu would go on to star in a small but very memorable role in the American romantic comedy New York, I Love You (2. Among Shu's earlier notable works were The Foliage (2.
2015 TV-MA 2h 4m. Three intrepid tomb raiders seek a legendary treasure in Mongolia, yet their bond is put to the test when they must face an event from their past. CGV Golden Plaza. Chính th Following is a list of IMAX DMR films which use IMAX, a motion-picture film format and projection standard. IMAX cameras and film stock are rarely used for mainstream. Directed by Wuershan. With Angelababy, Kun Chen, Keith Collea, Alex Eckstorm. In 1988, the three Mojin(tomb raider), Hu Bayi, Wang Kaixuan, and Shirley Yang, retires.
Don Savant joined IMAX Corporation in 2000 as VP and general manager for the Asia-Pacific region. In 2007, he was promoted to managing director, Asia-Pacific, and. Watch Korean drama online. You can watch free dramas online and English subtitle.
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Yunnan during the Cultural Revolution. The romantic comedy was a hit and became the highest grossing Chinese film of the year. The film overtook Lost in Thailand to become the highest grossing Chinese movie. The film received overwhelming positive reviews at the Cannes Film Festival. She also worked as a spokesperson for Shiatzy Chen.
Shu Qi has been representing Frederique Constant in Asia as a brand ambassador since 2. In 2. 00. 9, she, along with Frederique Constant and Paint- a- Smile Foundation, repainted the murals on the walls of the cardiology department at the Beijing Children's Hospital.
The two met on the set of the romance drama Bishonen in 1.
Giant Prospects: Don Savant leads IMAX to new heights in Asia- Pacific. Don Savant joined IMAX Corporation in 2. VP and general manager for the Asia- Pacific region. In 2. 00. 7, he was promoted to managing director, Asia- Pacific, and only recently he additionally took over the role of IMAX Corporation’s executive VP. During his 1. 5- year tenure with the company he helped develop the IMAX. In September 2. 01.
IMAX screen worldwide, in Taiyuan, China—a perfect occasion for an in- depth discussion of IMAX’s success in the region. Film Journal International: What were your greatest achievements in helping develop the IMAX brand in Asia- Pacific?
Don Savant: I’ve had the pleasure of leading our on- the- ground development efforts in the region. Today, we have 3. IMAX theatres open in the Asia- Pacific market, with 2. But perhaps my greatest accomplishment in terms of building the IMAX brand in the region is that I helped our team forge strategic relationships with exhibitors, studios and other local stakeholders.
Our philosophy towards doing business in the region was, and continues to be, about understanding the cultural nuances of the specific market and creating mutually beneficial partnerships. I have been intimately involved in securing major multi- theatre deals for IMAX in Asia, including contracts with many of the largest commercial exhibitors. In 2. 01. 1, I led our efforts in establishing a partnership with Wanda Cinema Line, which is our largest exhibition partner worldwide, with 1. IMAX theatres open and 7. This landmark deal not only propelled our network growth, but also firmly established IMAX as a leader in the China cinema market.
Outside of China, I have overseen the successful development of the IMAX theatre network in Korea, Japan and Southeast Asia. In addition to Wanda, CJ CGV is one of our largest partners worldwide, with 9. Korea, China and Vietnam. In 2. 00. 9, I helped establish our first foreign film converted into the IMAX format through our proprietary DMR technology by signing a three- picture deal with Huayi Brothers for the debut film, Aftershock. Directed by Feng.
Shao Gang, Aftershock became one of the top- grossing Chinese films of 2. To date we have converted 2. Chinese titles, with our 2. Mojin–The Lost Legend, from Wanda Pictures, opening on December 1.
Earlier this year we established the IMAX China Film Fund with our partner China Media Capital to invest in Chinese tentpole films. This is the next step in our evolution to continue to support the growth of the Chinese film and exhibition market. A lot of effort has also gone towards building IMAX’s operational infrastructure in the market. In 2. 00. 1, we relocated IMAX’s Asian headquarters from Singapore to Shanghai and have had the pleasure of bringing together a tremendously talented IMAX team of 8. IMAX brand and network in the Asia- Pacific region. Today, we have offices in Shanghai, Beijing, Tokyo and Manila. I’m proud to say that the Asia- Pacific region is the largest IMAX market in the world.
FJI: In which year did IMAX open its first screen in Asia- Pacific, where, and why that country in particular? But it was the Omnimax. Theatre at the Hong Kong Space Museum, opened in 1. IMAX location in Asia.
FJI: What explains the audience acceptance of IMAX in Asia- Pacific? What appeals to them? DS: Consumers across Asia- Pacific are sophisticated and have a deep appreciation for technology and premium entertainment experiences. Simply put, IMAX delivers a super- premium format and the most immersive cinematic experience available today, which has been embraced by audiences in this region as their preferred way to see the biggest blockbuster titles. China in particular is an interesting case study. IMAX entered China 1.
We’ve essentially become a part of the moviegoing culture in China. Unlike in the West, consumers in China did not grow up going to IMAX museums, science centers or aquariums because there weren’t any. They grew up going to IMAX in multiplexes. Today we are one of the strongest entertainment brands in greater China and have played a crucial role in building the modern moviegoing experience in the country. FJI: In which Asia- Pacific country do you currently operate the most screens? DS: In Mainland China, where we have a total of 2. IMAX theatres currently open and another 2.
Factors such as the nation’s population and an increasing middle class with disposal income have made Mainland China our biggest market. FJI: Which countries are the runner- ups in terms of screen presence? DS: Other Asia- Pacific nations with a strong IMAX presence include Japan with 3.
South Korea with 2. India with 1. 5 theatres (8 open and seven in backlog), Taiwan with 1. Indonesia with 1.
Philippines with nine theatres (eight open and one in backlog). All those figures are per September 3. FJI: IMAX has just opened its 1,0.
Taiyuan, China. This is a truly remarkable milestone. IMAX Corp’s CEO Rich Gelfond has said . While it took the company 2. IMAX theatres, we have been able to launch the next 9. DS: In China, the moviegoing public has a voracious appetite for all things IMAX. To ensure that we meet this demand and continue our growth in this market, we successfully listed our IMAX China business on the Hong Kong Stock Exchange on October 8, 2. Proceeds of the IPO will be reinvested to continue to grow IMAX in greater China.
With a strong backlog of China installations and a fantastic movie slate over the next couple of years, we believe we are in a great position to take the business to new heights. Outside of China, I’m also very optimistic about our growth prospects in Japan. In 2. 01. 4, our theatres in Japan generated per- screen averages of just under US$1. PSA in 2. 01. 5. Key to our recent success has been our first theatre with Toho Cinemas, Japan’s largest theatre operator, at their flagship location in Tokyo’s Shinjuku area, which opened this past April.
Toho. Shinjuku IMAX has generated more than $2. FJI: Which Asia- Pacific countries currently still lack IMAX screens? DS: Fortunately, we are operating in almost every major country in Asia, even Pakistan, and we are scheduled to open our first theatre in Mongolia in 2. In terms of countries we are not in, we are looking forward to entering Myanmar as the country opens and develops. FJI: Looking at how IMAX has matured over the years, what would you say are the most important developments that today make IMAX one of the most readily recognizable cinematic format brands?
DS: IMAX was founded in 1. In 1. 99. 4, IMAX went public and recognized the potential of releasing Hollywood content to the commercial exhibition market. But studios wouldn’t start converting their films to IMAX until we had more commercial theatres. And the exhibitors wouldn’t build more . The solution was the development of our proprietary IMAX DMR technology in 2.
Hollywood films into IMAX format, and also our development of IMAX digital theatre systems in 2. IMAX DMR’s acceptance by the big Hollywood studios, as well as moviegoers who are willing to pay a premium to see their favorite movies in IMAX, launched us into the commercial exhibition market. The debut of IMAX digital theatre systems in 2. Equally important were the company’s tireless efforts to integrate IMAX into the Hollywood landscape. Led by our incredible film division, IMAX Entertainment, the company has carefully cultivated relationships and partnerships with virtually all major Hollywood studios and many of the top international studios. FJI: What are IMAX’s further development plans in terms of improved technology?
DS: IMAX Corp. It represents a quantum leap forward in cinema technology, providing audiences with the sharpest, brightest, clearest and most vivid digital images ever, combined with a whole new level of immersive audio. It also represents the largest R& D investment in our history, and to date we’ve signed more than 7. Smithsonian in Washington .