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The Uncanny Sound Illusion That Creates Suspense in Christopher Nolan's Movies. Ever notice how Christopher Nolan’s movies (Interstellar, Inception, The Prestige) feel like an anxiety attack? Well, maybe that’s overstating things a bit. But the director does have a knack for creating an unnerving degree of tension. Turns out he’s using a little bit of musical magic to do it.
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The magic is actually a science- based audio illusion called a Shepard tone. Named after psychologist Roger Shepard, a pioneer in our understanding of spatial relation, the effect sounds like an infinitely ascending or descending scale. The tones are constantly moving upwards or downwards, but they never seem to reach a pinnacle or nadir. This is accomplished by stacking scales on top of each other—typically one treble scale, one midrange, and one bass—with an octave in between, then playing them in a continuous loop. A Shepard tone is sometimes referred to as the barber pole of sound.
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You can even see the similarity, when you hear it and look at the spectrum view of a Shepard tone. Don’t listen to this too long, or you might lose your mind: Anyways, Christopher Nolan just loves this. With longtime collaborator Hans Zimmer, the acclaimed director has used a Shepard tone in almost every one of his films in the last decade. He even writes his scripts to match the effect.
In a recent interview, Nolan explained how he used Shepard tones in his newest film, Dunkirk: The screenplay had been written according to musical principals. There’s an audio illusion, if you will, in music called a “Shepard tone” and with my composer David Julyan on “The Prestige” we explored that and based a lot of the score around that. And it’s an illusion where there’s a continuing ascension of tone.
It’s a corkscrew effect. It’s always going up and up and up but it never goes outside of its range. And I wrote the script according to that principle. I interwove the three timelines in such a way that there’s a continual feeling of intensity. Increasing intensity. So I wanted to build the music on similar mathematical principals.
Knowing this, you gain a deeper understanding of films like Interstellar, Inception, and The Prestige. It also explains why these films seem somehow inconclusive. A Shepard’s tone creates a conflict that can’t be resolved, just like Nolan’s plots.
Bing's US Market Share Is Wildly Underestimated. Microsoft claims Bing, its search engine for people who have just unboxed a new computer and are trying to find out where to download Chrome, is bigger than you think. Stats released by the company this week claim Bing enjoys an astonishing 3. US, which is far higher than the frankly more believable 9 percent it reports worldwide.
According to Microsoft, the 3. This is surprising, because as Ars Technica’s Peter Bright noted, the most common reaction he gets when he says he uses the site at all is slack- jawed stares and stupid questions. I, for one, can’t remember a single time I’ve used Bing in recent memory, other than the aforementioned use of installing a web browser that doesn’t use Bing. If Microsoft’s metrics are to be believed, it’s quite a coup: Half a decade ago, some rankings had it come in at under 3 percent of global searches. The numbers seem to go up and down depending on the source, but the most generous prior estimate (from Comscore last year) put Microsoft at just north of 2. Bing technology powers Yahoo’s search engine. None of that counts mobile queries, where Google has a functional global monopoly with virtually no meaningful competition whatsoever.
So few web- savvy people seem to use Bing that those who do are a sort of curiosity, though that might just be compartmentalization: If you’re a heavy Google user, using Chrome tied to a Gmail account, it might not ever occur to you that Bing even exists. But since the vast majority of new computer sales are for Windows devices, which come preloaded with Bing- defaulting browsers Internet Explorer or Edge, one would imagine there’s enough workplace users, old people, folks who don’t give a damn and others of their ilk to make up a big share of the market. They’re real and they’re out there, just Binging it up, occasionally not noticing sand penises.