Alex Shapiro, composer: Biographical Information. Composer Alex Shapiro aligns note after note with the hope that at least a few of them will actually sound good next to each other. Her persistence at this activity, as well as non- fiction music writing, arts advocacy, public speaking, wildlife photography, and the shameless instigation of insufferable puns on Facebook, has led to a happy life.
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Drawing from a broad musical palette that defies genre, Alex's acoustic and electroacoustic works are published by Activist Music, performed and broadcast daily, and can be found on over twenty commercial releases from record labels around the world. This pretty much sums things up. You can continue reading Alex's story, or click the arrow to cut to the chase. Photo: Paul Chepikian Looking for a short program bio, or press kit? The Start. Born in New York City in 1. Manhattan, Alex began composing as a much shorter person at age nine. At fifteen, she was encouraged by Leo Edwards in her first private composition lessons during a summer program at Mannes College of Music, at which she also had her initial experiences building a synthesizer and writing remarkably dreadful electronic music.
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Alex continued to explore acoustic and synthesized pieces the following two summers with Michael Czajkowski and George Tsontakis, as the youngest composer at the time at the Aspen Music School. Subsequently, Alex was educated as a composition major at The Juilliard School and Manhattan School of Music, where she pursued electronic music with Elias Tanenbaum, and was a student of Ursula Mamlok and John Corigliano. An accomplished. pianist, Ms. Shapiro studied for nearly a decade with New. York recitalist Marshall Kreisler, and she is. Alex also plays very bad flute, an instrument sometimes found in the woodwind section wedged between the alto flute and the bass flute. Geography, physical and musical.
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In 1. 98. 3 Shapiro moved to Los Angeles, California, eventually settling in Malibu and accessorizing her music life with reptiles, astronomy, volunteer civil liberties activism, sailing, and plastic dinosaurs. She composed movie and television scores for the first fifteen years of her career, until the joy of scoring a low- budget feature film with a small orchestra in 1. By the late 1. 99. Alex shifted her focus entirely to the concert world, and devised inventive ways to use the still- new internet to let people know about this still- new composer. With the help of her understanding of the music business from having worked in Hollywood, plus her experience as a recording engineer and computer/software geek, as well as her volunteer involvement with music advocacy organizations, Alex's career thrived. When she's not composing, Alex procrastinates on her next piece by pointing her camera at the surrounding wildlife, resulting in sometimes- even- award- winning images, including one of a myopic Bald Eagle about to collide with her, featured in The Spirit of Flight 2. Seattle's Museum of Flight (a much smaller version of which dangles at the top of this web page).
Shapiro's audio and photos fill her blog, Notes from the Kelp, accompanied by her essays on animals, sea life, and human nature, which connect not only Alex's music, but her heart and her . All right, now that we're up to current, here comes the pithier stuff. Plugging in. Shapiro is a pioneer in the uses of digital media for the promotion of artists' works, and their context within communities. Through interactive social networks and collaborative live, online sessions she calls Skypehearsals, Alex enjoys building relationships with musicians and listeners, preferring to create an affinity for her music by engaging others in their own interests. The author of many articles on new media, in 2. Shapiro was invited to Washington, D. C., to testify in a Federal Communications Commission hearing about broadband access and digital rights.
Firmly believing that the only artist one is in competition with is oneself, Alex co- founded the ASCAP Composer Career Workshop touring series, advising fellow music- makers on ways to benefit from their creative output. Shapiro is a familiar guest lecturer at universities around the United States, where she mentors students not only in music composition, but in business practices, as well. Alex addresses the philosophy behind a career based on the concepts of kindness, graciousness, and a positive sense of self worth- - topics too rarely discussed in schools. Showing up. Even more fun than interacting in pixels, is the in- person work Alex gets to do every year.
She enjoys the role of composer- in- residence at many colleges and new music festivals, and has given lectures, masterclasses, workshops and one- on- one lessons at universities across the United States, including at Yale University, University of Southern California, The Ohio State University, University of Minnesota, Washington State University, University of Missouri- Kansas City, Manhattan School of Music, Capital University, University of Wyoming, Carthage College, Univeristy of Montana, University of Hawaii (much warmer), and University of Chicago, among many. Speaking out. Ms. Buy Resident Evil The Final Chapter (2017) Movie on this page. Shapiro appears regularly as a speaker at a wide variety of music events, which have included NARAS' Grammy. Between 2. 00. 0 and 2. Alex interviewed over 1. Los Angeles Composer Salon series, and of ACF/LA's Composer to Composer series at Walt Disney Concert Hall, and continues as a guest moderator when in Los Angeles. Advocacy. An enthusiastic leader in the new music community, Ms.
Shapiro has served as the Symphonic & Concert writer representative on the ASCAP Board of Directors since 2. Board of Directors of the ASCAP Foundation in 2. In 2. 01. 7 Alex was tapped to be ASCAP's representative at the meetings of CIAM, the global author's rights council of the collective of international performing rights societies, CISAC. Alex also co- chairs ASCAP's Symphony & Concert Committee and its Marketing Committee. In late 2. 01. 6, Shapiro was elected to the Board of Directors of The Aaron Copland Fund for Music. Shapiro is the past President of the Board of Directors of the American Composers Forum of Los Angeles, and former Co- chair of the Program Council for New Music USA.
Alex has been a board member of U. S. Shapiro's volunteer activism extends beyond the music world to that of civil liberties, and includes three elected terms in the 1. Board of Directors of the ACLU of Southern California. During her film composing days, she served as Vice President of the 3. State and National Legislative Action Committee, and received the ACLU’s 1. Chapter Activist of the Year award. Alex is currently a Board member of the University of Washington's Friday Harbor Laboratories, a marine science research facility whose mission reflects much of what inspires Shapiro's music.
Recent works. Alex's concert music is a diverse collection spanning from chamber groups to large ensembles, and from purely acoustic pieces to works that pair musicians with prerecorded digital audio. Shapiro's recent premieres are a late 2. Train of Thought for the Cochran Chamber Commissioning Project, led by conductor Paul Kile, as well as two 2.
Rock Music, for Patrick Marsh Middle School in Wisconsin, and Moment, commissioned by a consortium of 1. United States. The spring of 2. Alex's pieces between March and May. Shapiro's latest solo piano work, Arcana, is a 2. March 2. 01. 6 by its commissioner, pianist Michael Tierra, who also commissioned and premiered a striking new electroacoustic version titled Arcana Planet, in March 2. Other electroacoustic additions to Alex's catalog include the 2.
Lights Out, commissioned by a consortium of 1. U. S., and Kettle Brew, for timpani, mixed percussion and electronics on which she collaborated with percussionist David Jarvis, who premiered the piece during Shapiro's February 2. Washington State University's Festival of Contemporary Art Music. Tight Squeeze is an uptempo, 1.
Alex Garcia Launches AG Capital, Will Finance High- End Film And TV – Cannes. EXCLUSIVE: Alex Garcia,Latin America’s biggest indie film producer- financier, is getting into the prestige business by launching AG Capital, an equity- backed fund that will fully finance films in the $5 million- $2. AG Capital will operate in a similar high- end space to Megan Ellison’s Annapurna and Molly Smith’s Black Label Media.
AG Capital will come under Garcia’s controlling company AG Studios and will be run by him and former CAA film finance agent Laura Walker. The entity will be focused on English- language content across both film and TV. Garcia already is prolific through AG Studios, which is in post on Emir Kusturica’s On the Milky Road starring Monica Bellucci.
Wild Bunch is handling international sales. The company also has Alfonso Pineda’s The Jesuit, scripted by Paul Schrader; Gael Garcia Bernal starrer Desierto, helmed by Gravity co- writer Jonas Cuaron, which IM Global is selling; as well as Demian Bichir’s directorial debut Refugio.“Content is king,” Garcia said. Laura is very well- versed in the space, with strong relationships with the leading producers, filmmakers and financiers. Together we will create top- tier content while simultaneously giving filmmakers a great experience.”Walker has worked in production, where she served as assistant director to the likes of Richard Linklater, Peter Berg and Robert Rodriguez. She spent seven years with CAA in the Film Finance Group.“Alex has invested $4.
Walker tells Deadline. We don’t want to make a land grab. We’re going to be pretty particular with the projects we go for.” AG Studios is the holding arm of an entertainment conglom with investments and businesses valued at $5. U. S. With headquarters in Los Angeles, Mexico, New Orleans, Brazil and Colombia, Garcia also operates, through AG Studios, Itaca Films, Lemon Films, BN Films, Bazooka Films, Altavista Films and its distribution arm LATAM Pictures. In addition to production and distribution, AG Studios has stakes in Latin America’s most successful animation company (Anima Estudios), film festivals (Morbido, Los Cabos), online film platforms (Slated, Mubi), a production company for live music shows (ZZinc,), as well as sports brands (Lucha Liblre, Lucha Underground, Lucha Capital, Sopitas Racing Team NASCAR).
Details of AG Capital’s first project are set to be unveiled shortly. Deadline understands that there is no plan to launch an in- house sales arm or work with any one specific sales agent or distributor.